New Album

Song for Abbey

Out on 11.14.2025

Learn more

Song for Abbey

Album out on 11.14.2025 – with guests Bill Frisell and Archie Shepp. Meanwhile a live version of one of Abbey Lincoln's composition.
 

Oizel is on bandcamp:

and also Exclusive tracks … :

Song For Abbey

Song for Abbey

Out on 11.14.2025!

Featuring
Archie Shepp • Bill Frisell
```sideLink alt:"Song for Abbey" src:"images/albumCovers/Marion-Rampal_Song-for-Abbey_cover_600px.jpg" title:"Song for Abbey" ``` ### Song for Abbey ![markdown](abbey/press.short.exp)
Voice: **Marion Rampal**, **Archie Shepp** (on #4) Electric & acoustic guitars, mellotron : **Matthis Pascaud** drums and percussions: **Raphaêl Chassin** upright bass: **Simon Tailleu** prepared pianos, Prophet, Juno, Philicorda: **Thibault Gomez** special guest electric guitar: **Bill Frisell** A Les Rivières Souterraines record / produced by Matthis Pascaud-Shake /Arranged by Matthis Pascaud & Marion Rampal/ Recorded by François Gauthier at Les Studios Saint Germain except “Remember the People” ( ou numero track) recorded by Arthur Gouret at Studio Sextan/ Mixed by Tony Paeleman at Studio des Bruères / Mastered by Simon Lancelot / vinyle only ajouter “vinyl cut by Translab-Benjamin Savignoni / Bill Frisell appears courtesy of Blue Note **Les Rivières Souterraines 2025**/ L'Autre Distribution/ Believe Digital   ![markdown](abbey/partners.md)    
```imagesLeft ![youtube](https://www.youtube.com/watch?v=R5DmOe2B8ts) I am 19 years old. My mother gives me a CD—*Wholly Earth*. The connection is instant, deep. A sound, a spirit, a poetry. Discovered over the years, Abbey Lincoln's records accompany me. A fierce, unclassifiable body of work. The years go by. I write songs, I lose myself, I find myself, and, between the lines, I always talk about paying tribute to the great artist. And above all, there is my encounter with Archie Shepp, Shepp with whom Abbey Lincoln sang, with whom I have had the chance to sing for almost fifteen years. Archie Shepp, like Abbey Lincoln, is the master craftsman of a songbook that is too rarely performed and too little studied in jazz schools. Jazz is the legacy of great creators who had their own unique worlds. Alongside Archie, and through meeting Jason Moran, I come to understand the importance of memory, and that it is our responsibility today to shed new light on certain repertoires. Memory, invention, transmission. Moran tells me about a session with his students in Boston, based on a composition by Kid Ory. The young people play the piece, then look up from their scores. He calls out \-“Now look at yourselves\! Look at those smiles on your faces\! That smile was written into the score. THAT's what Kid Ory wrote there, for you, today.” *They call it Jazz*.   ![Abbey Lincoln ©l'atelier photo à Coutances](images/others/AbbeyLincoln.Coutances.PPS6963-2.jpeg "Abbey Lincoln ©l'atelier photo à Coutances") Music as a bond, under Abbey’s sign. That’s the genesis of this project—with the hope that it makes you want to listen to her records again, to play her songs, to share the revelation that is Abbey Lincoln. One could say, “Abbey Lincoln was a Black American woman, jazz singer, actress, composer, activist,” and that would not be saying much. Often you will have to account for your accent, the shape of your cheeks, the look of your feet, the color of your skin, your manners, your gender. Blends, fractures, erasures, influences, exiles, forgettings, patched traditions—beneath the powerful fabrics of your ancestry and your life may beat a fierce heart, unwilling to be assigned, unwilling to wear the labels that stick. You are yourself, singular like each leaf of a tree. To “know things” about Abbey, to attempt an analysis of her career and her style, quickly proved sterile. Rather than perform a studious investigation I chose to sketch the contours. To listen to her melodies, her words. Over and over. Abbey is sixty when Jean-Philippe Allard asks her to record for Verve. She hasn’t released an album under her own name for nearly ten years.   ![youtube](https://www.youtube.com/watch?v=rF4iyrlTnPU) At the end of 2023, I write to J.P. Allard. He receives me, and I listen as he tells me the story of all the albums they made together, up to the last one: *Abbey Sings Abbey*, the absolute Abbey, the Gospel according to Abbey, call it what you will—if you listen to only one, let it be this. From that moving encounter I carry away precious scraps, gathered details of a great creative adventure. She lives alone with her piano and calls Jean-Philippe to sing him a new song; she sews her jackets, makes hats, makes cloth dolls and paints pictures —legendary objects of which no trace seems to remain. She bursts into laughter on hearing Léo Ferré sing *“chuis un chien\!”* That day J.P. Allard tells me what I need to hear: she would have loved to have her music played again. Jean-Philippe Allard leaves us in 2024\. He takes with him a part of Abbey’s mystery. At that time I am shaken by the death of my father ; I am struggling to find meaning in being on stage… An ambiguous loss that plunges me into great difficulties, but ultimately opens me up to a new creative verve, in the company of the living and also the dead. We make do with what remains. I continue my strange investigation.   ![Abbey Lincoln ©l'atelier photo à Coutances](images/others/AbbeyLincoln.Coutances.PPS7037-2.jpeg "Abbey Lincoln ©l'atelier photo à Coutances") In Coutances, Normandy, where I am in long residency, we come across a photo of her—1993, she is sixty-three. Abbey’s bearing then\! Her posture on stage\! A wide hat, long vest, seated in an old armchair and laughing, listening to the band microphone in hand—and at her feet, magnificent cowboy boots. J.P. Allard’s words come back to me, *“She loved country music.”* Abbey’s boots kick straight into my anthill of doubts (How to sing Abbey? Do I have the right to sing this?). Question to Jason Moran \- “*How do you approach a project with existing material, with repertoire?*” His answer \-*“First, when you take on such projects, remember—it’s you who’s doing it, and in that moment no one will do it like you. Then… you have to frame it\! You have to find the frame, and stick with it.”* I know a good address for frame building, Matthis Pascaud. I assemble a list of songs, look for anchors, turns, and with Matthis we begin to walk through the repertoire. We bend it, change the weave, pull the threads. We treat Abbey Lincoln’s songs as we would our own. In a way, our sound matter takes a journey through Abbey’s country. Here is the frame: we are in a living room, we invite Abbey Lincoln, and we sing songs to her. Her songs, our songs, others she played, or that we make her discover. *Song for Abbey* is an offering. We surround ourselves with faithful friends, Simon Tailleu, Raphaël Chassin, and invite Thibault Gomez to join us. Bill Frisell takes flight on a *Skylark* that imagines itself as *Blackbird*. Archie Shepp does me the honor of sharing his words and his voice on the only original on this album, *Remember the People*, which I dreamed up as a timeless hymn to all the ancestors whose spirit flows through our music. Immense joy in playing, Abbey’s music is both telluric and celestial, a lesson in spiritual geography. It uncovers mysteries by following simple, open roads. It climbs mountains, follows the birds, reaches new planets… The bird Abbey, who refuses to be classified, refuses to be contained. *“There is no such thing as jazz, there is only a song and your spirit. I love this music because it is character building. It is a craft that encourages you to think and to be unique and to be honest and to be knowledgeable.”—* Abbey Lincoln ```

Oizel

Oizel
Listen to or buy the album

Out now!

Featuring
Bertrand BELIN • Laura Cahen
” A voice that enchants all it encounters ”
- FIP
” There are currently very few artists capable of such an accomplishment. ”
- Citizen Jazz
![Oizel](images/albumCovers/MarionRampal-Oizel_cover_600px.jpg "Oizel") ![markdown](oizel/press.short.exp) ![markdown](buy/partenairesOizel.md)   OIZEL Les Rivières Souterraines 2023 Musical direction and production: Matthis Pascaud @ Shake Production Drums production: Raphaël Chassin @ Studio 237 Recording: Sébastien Tondo @ Studio 12 Ter / Fred Carrayol @ Mercredi 9 Mixing: Tony Paeleman @ Studio des Bruères Mastering : Simon Lancelot Artwork : Remy Poncet Photos : Alice le Marin Guitars, lap steel, melotron, marimba, bass: Matthis Pascaud Drums, Percussion: Raphaël Chassin Double bass: Simon Tailleu Upright piano : Gaël Rakotondrabe Clarinets : Christophe Panzani Guests: Laura Cahen, Bertrand Belin: vocals & Naïssam Jalal: flute  
![](https://youtu.be/50qsMqQEd3A)
After four albums and numerous collaborations, we'd be wary of asserting that Marion Rampal is taking off. Her new album, Oizel, however, suggests that she is gaining altitude. Like a sea bird, she spreads her wings and soars into the blue, plunging deeper into herself, into the deep waters of identity and founding memory, where the treasure of her childhood memories lies. If the figure of the bird has become essential, it's because it was already hatching under her pen. Her previous collection, Tissé, ended with a feminist blues, Still A Bird, outlining an affinity that Oizel extends and completes by summoning the mobility of the migratory bird, the vital need for the nest, the restorative song. “ The bird, its symbolism to which the idea of freedom is attached, accompanied me throughout the gestation of this album, whose stake was to seize the French language more than I had done previously.”  
![]( https://youtu.be/WDK6s6Psxf0)
While Marion has long reconciled the song format with the freedom of jazz, this time she has submitted herself to the strict observance of a more classic verse-chorus construction, sticking more closely to the stories she wanted to tell, the emotions she wanted to share, the portraits she intended to draw. Tangobor evokes abandonment, distress and perhaps resignation, while on the other hand, the klezmer-style bluegrass beat of Grande Ours stirs up the urge to make a desperate escape. Inspired in part by a text by Florence Aubenas about a woman who broke with the world to lead a wild life, the song reveals a part of the songwriter that took her a long time to fully assume... “I've always been fascinated by the world of the wild. I've always been fascinated by these slightly monstrous ancestral figures. In a way, this was in line with my desire to explore marginality and this tipping point towards the dark, towards a madness that is also a liberation. The story of this woman in the Cévennes who hides in the woods, enters unoccupied houses, steals food and clothes, turned my fantasy into reality. She allowed me to finish the song.”  
![youtube](https://youtu.be/WpmJZp29nu4)
Marion wanders through the undergrowth and abandoned houses of the French language, frolicking like a child left to her own devices, inventing expressions - Coulemonde, Gare-Où-Va-, Tampi Mon Âme - almost a dialect in which she meanders between good usage and poetic bushwalking. The native Marseillaise that she is, though devoid of accent, has retained a way of turning phrases that is akin to a vernacular, that of her grandmothers - so present in spirit. French chanson has such a heavy heritage on those who venture into it, that she had to respect its codes and aesthetics, while infusing it with her own imaginary language. “Words, words, words are beautiful” she exclaims in a moment of pure humility and dazzlement. At times, we feel as if we're hearing “ today's songs of yesteryear ” when we come across D'où l'on vient l'hiver, Gare-Où-Va, Beaux Dimanches − a mischievous duet with Bertrand Belin, or Oizeau, a hushed ragtime. As if to explore a new horizon in a familiar sky, she has concluded a pact of lightness with Matthis Pascaud, who produces the work, and Raphael Chassin, on drums. They are the ones who create the watercolor sound that marries perfectly with this elfin voice in waking lullabies and weightless ballads that brush against us, caress us and take us along for the ride. Oizel is drawn to a flowing sound, that of folk music drunk straight from the source, of country music escaping from a lavender field, of a gentle song recollected on the edge of a dream, or of a final, “perfect” waltz, Aux Fleurs, emerging from a calanque surf.  
![youtube](https://youtu.be/cYkpaYAKHT0)
Water and sky merge into a single setting, that of a happy, bright, carefree childhood. We bathe in memories of Canards, evoking in a pure moment of suspended bliss that way of diving at right angles like a palmiped, whispered in duet with Laura Cahen, another siren. We sit in the kitchen of Madeleine, grandmother of a thousand wisdoms, whose benevolent soul resurfaces on D'Où l'On Vient l'Hiver, recalling the mythological function of certain birds to accompany the souls of the departed. It is through the filter of this re-rooting, this profound re-enchantment, this re-reading of herself through memory and the senses, that these 11 songs of pure emotion and ethereal grace are distilled.

OUT on October 18th 2019

Marion RAMPAL: voice
Pierre-François BLANCHARD: piano
featuring
Archie Shepp: tenor saxophone, voice
Raúl Barboza: accordion
 
ArtOvations / l’Autre Distribution
Recorded at Studio de Meudon by Alban Moraud
*When Alice went through the looking glass, at first, everything seemed strange to her. Then she got used to it. Le Secret is a nostalgic, fanciful and sometimes funny invitation to consider differently what seems well known, immutable, untouchable. It is an impertinent and elegant walk between Baudelaire’s melancholia and the blues, with two respectful rebels whom no music genre can imprison as guides . To make a jazz standard out of a Fauré melody or a Schubert Song is a bridge to cross oceans and musical territories; to add one beat to bring Verlaine closer to New Orleans, it is all possible when you master the codes of each different universe to perfection. Marion Rampal and Pierre-François Blanchard are daring and unapologetic, taking all the risks like a couple of tightrope walkers, confident in every step. Their secret is special, bizarre, offbeat, a strange cocktail of poetry, classical music, humour, improvisation, with dizzy precipitations in refreshing colours, with rivers and seas to roll and swing. Two legendary musicians join them on this journey : Archie Shepp and Raúl Barboza. Welcome to Wonderland!* **Arièle Butaux** #### MARION RAMPAL & PIERRE-FRANÇOIS BLANCHARD Jazz singer-songwriter Marion Rampal and pianist Pierre-François Blanchard are developing a common language of interpretation that challenges established codes. Lovers of classical melody, Great Black Music, French popular songs, collaborators of jazz master Archie Shepp and seminal french songwriter Pierre Barouh, they are constantly looking for a poetic and sonic link that transcends styles, and reveal the expressive heart of songs in delicious drifts. With Le Secret they invent new standards by exploring melodies of yesteryears, musical poems that are "deep mirrors" where the movements of the soul are reflected in liquid materialsg Melancholia, Blues or spicy fantasy. Mirroring the composition of French Art Songs from Belle Époque to Nouvelle Vague, playing like them with metamorphosis, this duo demonstrates an art of suspending time, following in the footsteps of the great jazz improvisers. [*Visiter le site de Pierre-François Blanchard*](http://www.pierrefrancoisblanchard.com)

Tissé

Tissé
Listen to or buy the album

Out now!

Featuring
Archie SHEPP • Piers FACCINI • Anne PACEO
with Anne Paceo
and Pierre-François Blanchard

Beneath the skies of a reinvented New Orleans, Marion Rampal has carved simple and searing songs. Betrayed love, tempest, uprising, this music is made of the deep blue that bathes the Louisiana Bayou, an expression of the many sounds and rhythms of the Delta.

#### Beneath the skies of a reinvented New Orleans, Marion Rampal has carved simple and searing songs. Betrayed love, tempest, uprising, this music is made of the deep blue that bathes the Louisiana Bayou, an expression of the many sounds and rhythms of the Delta. The singular melodies of Main Blue were composed during a voyage across the U.S. mainland, shaped by shared memories and the soul of the land. Inspired by the mischievous tongues of the Cajuns and the French Créoles, Marion created her own language of the sunken hearts, a blend of half-forgotten vocables flowing down the river of Time like an undiscovered Mississipi. Vivacious and untamed, Marion's voice explores the continuum between tradition and invention, heady melodies and improvisation, from contained emotions to a brazenly Soul exuberance. Fairy drummer Anne Paceo - 2016 french Jazz Victories' Artist of the Year - and Rhodes-Chief Pierre-François Blanchard fuel the fire with potent grooviness, drawing from an implacable surge from the deep past. Main Blue is an anthem to Blues as an emotional highway, and an unlikely crossroads of complementary inspirations : the tale of a time when songs, tongues and rhythms flew down rivers and crossed the ocean. *Compositions & Lyrics by Marion Rampal* With : ANNE PACEO : Drums, back vocals / PIERRE-FRANÇOIS BLANCHARD :Fender Rhodes, Organ, keyboards, back vocals / Featuring: JULIA SARR back vocals & SEBASTIEN LLADO trombone / Recorded by SEBASTIEN TONDO at Studio des Bruères, Mignaloux-Beauvoir / Mix by SEBASTIEN TONDO & RAPHAEL ALLAIN at Studio Think Tank, Montreuil / Mastering by RAPHAEL JONIN / Graphism by MARC HERNANDEZ / Photos: MARTIN SARRAZAC / Production & Management FRANÇOIS PEYRATOUT / Edition CAPT'N MUSIC ![logos main blue](images/barre logos main blue.jpg) WATCH "The Perfect Husband", LIVE 2014 ![youtube](https://www.youtube.com/watch?v=mWCdSFWrqH8) Teaser:![youtube](https://www.youtube.com/watch?v=sIorOkrRm9Q) *Main Blue* wouldn't exist without the many people who have helped since the beginning of the project in 2012. Among these: Compagnie Nine Spirit, ADDIM70, Mission Voix Franche-Comté, Forum de Berre, Escale MJC d'Aubagne, Les Herbiers, Tandem and Théâtre du Rocher of la Garde. [*Anne Paceo's website*](http://www.annepaceo.com) [*Pierre-François Blanchard's website*](http://www.pierrefrancoisblanchard.com)

French Singer and songwriter Marion Rampal entwines memory and invention, words and melodies, folkloric musics and classical occidental roots.

#### *French Singer and songwriter Marion Rampal entwines memory and invention, words and melodies, folkloric music and classical occidental roots.* Born in 1980 in Marseille, she studied music and singing according to the fanciful gifts of life: A mother who invented lulabies à la Michel Legrand. A grandfather who played all Nat King Cole in F on the piano. A few flute lessons (she is not in any way related to Jean-Pierre Rampal). Her fabulous high school choir which toured Europe… Adolescent she started scribling song books, writting in English as she was pationate with Patti Smith, Jim Morrison, Jeff Buckley, Joni Mitchell, Leonard Cohen… She's been following her Rock & Folk loves since 1998, as the singer of *Wesh Wesh* first, and with the duo **We Used to Have a Band** after that. Her encounter with **Raphaël Imbert** et his Compagnie Nine Spirit was the start of a long and fecund collaboration: his record label published her first album, *Own Virago*, in 2009. In 2011 she write the lyrics and sings on **Perrine Mansuy's** *Vertigo Songs*. In 2012 she joins the *Attica Blues Big Bang* and Archie Shepp's Quintes. Shortly after that she records *Heavens* with Raphael Imbert, followed by *Music Is My Home*. Poetic explorations into the embodiments of the Blues, which she purshued in New York and in Louisiana, led her to write and compose *Main Blue*, with **Anne Paceo** and **Pierre-Frangois Blanchard**. This recording was published internationally by e-motive records in 2016. Marion Rampal also wanders the classical repertoire in search of personal *standards*. The duo *Lost Art Song* with pianist **Pierre-Frangois Blanchard**, gives faithfully free interpretations of some of Shubert's lieder, and associates melodies by Debussy, Fauré, with classics of French popular music of the 20th century. In the same spirit, she is regularly participating to Arièle Butaux' Salon Idéal. With the **Manfred Quartet** she sings music from Berlin's "decadent" masters of the 30's. A recording of this project, *Bye Bye Berlin!", will be published in 2018 by Harmonia Mundi. She also enjoys lending her words to other voices, and thus wrote lyrics for singer Virginie Teychené, for Anne Pacéo (in *Circles*, sung by Leila Martial), and for Raphaël Imabert (*Music is my Home*, vocals by Leyla McCalla, Alabama Slim and Big Ron Hunter) **DISCOGRAPHY:** "Main Blue" Marion Rampal (2016 E-motive records/l'Autre Distribution) "Own Virago" Marion Rampal (Compagnie Nine Spirit, 2009) ”Vertigo Songs” Perrine Mansuy (Laborie/Abeille 2011) “Heavens” Raphael Imbert, musique de D.Ellington&W.A.Mozart (Jazz Village/HM 2013) "I Hear the Sound" Archie Shepp Attica Blues Orchestra (Archieball /HM2013 , Nomination aux Grammy Awards) "The Alpalachians" (2014, Label Durance/Orkestra) "Pieces for Christmas Peace " Raphael Imbert et Sixtine Group (ZigZag Territoires/HM2006)

Other collaborations

Today, yesterday, not so long ago, with Archie Shepp, the Quatuor Manfred, Raphaël Imbert...

#### On this day, yesterday, not so long ago… With Pierre-François Blanchard, the Manfred Quartet, Raphaël Imbert, Archie Shepp, Perrine Mansuy... ***Lost ArT sOng*** **Marion Rampal & Pierre-François Blanchard** This duo is a time suspending machine, an "untimely" musical gesture evoking through interpretation and improvisation, a dialog between French Melody (Debussy, Fauré…), and the fantasies and complaits of Colette Magny, Michel Legrand or Brigitte Fontaine… New standards that Marion Rampal and Pierre-François Blanchard explore in all their possibilities, sailing from spleen to levity. ![youtube](https://youtu.be/1jf-RCGeCtY?list=PL5qp3t801Mh8QwoeeMkt9W-Bsa1NmludT) [learn more about LosT ArT sOng](http://www.pierrefrancoisblanchard.com/projects/lost-art-song/) ***BYE BYE BERLIN !*** **Marion Rampal & the Manfred Quartet *featuring* Raphaël Imbert** Between Kabarett and Streichquartett, an extravagant encounter with the music of the berliner "decadents" of the 20s and 30s. ![vimeo](https://vimeo.com/61332793) [learn more about Bye Bye Berlin!](https://www.facebook.com/ByeByeBerlin) **Marion Rampal OWN VIRAGO** (Cie Nine Spirit) Out in 2009, the first album of Marion Rampal pulled us in the singular world of the singer: clear melodies of bright colors, personnal, intimate lyrics of which emerge mythical figures. The musicians surrounding her, ears wide open, put all their craft and inventiveness in highlighting the vibrant voice. *"A playful and emotional journey (…) of such intensity that it will grab your guts."* − Nouvelle Vague *"Stunning firs album! One is reminded of Beth Gibbson, Ani Di Franco, Fiona Apple (…) This is a beautiful tale, you'll want to here it again and again."* − Concertandco music and lyrics by Marion Rampal MARION RAMPAL: Vocals / AURELIEN ARNOUX: Guitar / CEDRICK BEC: Drums / MICHEL PERES: Double bass / FABIEN OTTONES: Piano ![soundcloud](https://soundcloud.com/marion-rampal/sets/marion-rampal-own-virago-2009) **VERTIGO SONGS de Perrine Mansuy** 2011 (Laborie Jazz/ Abeille) Music by Perrine Mansuy, Lyrics by Marion Rampal PERRINE MANSUY : piano / MARION RAMPAL: vocals / RÉMY DECK: guitar, sound design / JEAN-LUC DI FRAYA : percussions [voir le site de Perrine Mansuy](http://www.perrinemansuy.com/) ![soundcloud](https://soundcloud.com/perrinemansuy/sets/vertigo-songs) **WE USED TO HAVE A BAND** pop folk-duo with FRANÇOIS RICHEZ Impromptu at Voix du Gaou, 2011: ![youtube](https://youtu.be/04iTwBz1xNw?list=PL5qp3t801Mh923DRfUMJ1W5tnV1H0V0C-) **HEAVENS de Raphaël Imbert** 2012 (Jazz Village/ Harmonia Mundi) Musics of Mozart and Ellington, with the musicians of CIE NINE SPIRIT the MANFRED QUARTET. [website of Cie Nine Spirit](http://www.ninespirit.org) ![youtube](https://youtu.be/5T9svbibvs8?list=PL5qp3t801Mh923DRfUMJ1W5tnV1H0V0C-) **I HEAR THE SOUND Archie Shepp Attica Blues Orchestra** 2014 (Archieball / Harmonia Mundi) ![youtube](https://youtu.be/sU_PTQFJA8s?list=PL5qp3t801Mh923DRfUMJ1W5tnV1H0V0C-) **FREEDOM, La Clameur de Marion Rampal** Participative giant spiritual. For the oppening of Marseille, Cultural Capital of Europe 2013 ![youtube](https://youtu.be/gZer0BjHwuw?list=PL5qp3t801Mh923DRfUMJ1W5tnV1H0V0C-)
[inline](lyrics/Let%20the%20Wind%20Blow.md "#### Let the Wind Blow") [inline](lyrics/Savage.md "#### Savage") [inline](lyrics/5%20pm%20song.md "#### 5PM Song") [inline](lyrics/The%20Perfect%20Husband.md "#### The Perfect Husband") [inline](lyrics/Chanson%20de%20marin.md "#### Chanson de marin") [inline](lyrics/The%20Heart.md "#### The Heart") [inline](lyrics/Go%20for%20It.md "#### Go for It") [inline](lyrics/Visitation%20of%20the%20Bayou%20Maharajah.md "#### Visitation of the Bayou Maharajah") [inline](lyrics/A%20la%20mer.md "#### À la mer")
Lyrics and music by Marion Rampal, Edited by capt'n music
[inline](lyrics/tissé/aVolé.md "#### A Volé") [inline](lyrics/tissé/oùSontPassées.md "#### Où sont passées les roses?") [inline](lyrics/tissé/tisser.md "#### Tisser") [inline](lyrics/tissé/reminder.md "#### Reminder") [inline](lyrics/tissé/îleAuxChants.md "#### L'île aux chants mêlés") [inline](lyrics/tissé/dAutresSoleils.md "#### D'autres soleils") [inline](lyrics/tissé/maudire.md "#### Maudire") [inline](lyrics/tissé/blossom.md "#### Blossom") [inline](lyrics/tissé/calling.md "#### Calling to the Forest") [inline](lyrics/tissé/stillABird.md "#### Still a Bird")
Lyrics: Marion Rampal. Music: Marion Rampal and Matthis Pascaud
Except Où sont passées les roses? Lyrics by Marion Rampal and Piers Faccini

Marion Rampal "Tissé"

BOOKING :
GIANT STEPS / Pascal Piloget pascal@g-steps.com
PR:
Maude Favennec @ Into the Mood maude@intothemood.fr
PRESS : Sophie Louvet sophielouvetmenu@gmail.com

Le Secret & L'Île aux Chants Mêlés

BOOKING : CASHMERE PROD / Kevin Hennekine & J.B Pretot booking@marionrampal.com
For other projets and collaborations:
contact@marionrampal.com